duminică, 30 iulie 2017

Lawrence of Arabia, written by Robert Bolt and Michael Wilson, based on the writings of T.E. Lawrence, 10 out of 10

Lawrence of Arabia, written by Robert Bolt and Michael Wilson, based on the writings of T.E. Lawrence
10 out of 10

Notes and thoughts on other books are available at:


This is a glorious, epic, magnificent chef d’oeuvre and one of the best ten films ever made, perhaps the best five.
The audiences have included it in their preferences, ranking it on the IMDB site, where it has an extraordinary Metascore of 100.

It has won seven Academy Awards, six Golden Globes, four BAFTAs, but most important, it will remain an all-time classic.
The narrative is extraordinary and the hero comes as near as possible to being a Superman, the ultimate Übermensch.

British Lieutenant T.E. Lawrence is brilliantly portrayed by the new comer Peter O’Toole, who was lucky to get the part-and so was the public.
I have read in the classic Adventures in the Screen Trade by the phenomenal William Goldman about this role.

Albert Finney was supposed to have the leading role, acting with the likes of grand Alec Guinness as Prince Faisal, the superb Anthony Quinn as Auda Abu Tayi, the sublime Omar Sharif as Sherif Ali, Jose Ferrer as the Turkish Bey and so many other sensational actors.
From the start, T.E. Lawrence reveals some of his outstanding qualities, as he marches in the desert and meets Sherif Ali, in a first confrontation over water and an introduction into the habits of the region.

-          My name is for my friends…none of my friends is a murderer…this is one of the first memorable lines of this fantastic chef d’oeuvre
 After facing each other over the murder of a man for the water, Lawrence and Sherif Ali would become not just allies, but very good friends, for most of the time fighting together in World War I, against the Turks.

Lawrence becomes “of Arabia” as he shows a brilliant tactical mind and manages to lead the “Arab army” into a series of spectacular victories, starting with Aqaba, for which the tribes traverse the desert.
Before that, the British man had to use diplomatic, persuasion skills to get the flamboyant Auda Abu Tayi to come along to fight those who pay him 150 guineas a month, just for “his pleasure” as Lawrence puts it.

Anthony Quinn- as well as Omar Sharif, the indeed royal Alec Guinness- is tremendous in this challenging role of a complex leader, warrior, at times thief, and chieftain, both wise and foolish man who says:

-          “I am a river for my people”

T.E. Lawrence has to suffer through some personal tragedies, as he sees first one of his young friends die, after he had saved him from the desert, and he is the one to execute his companion, to avoid a conflict between opposing Arab tribes.
As they prepare to blow up a Turkish train, the hero is forced to kill the other young man who has been close all the way, because he is too severely injured to move and the Turks were very cruel with their prisoners.

Lawrence of Arabia is caught and tortured by the Turks, after which the American journalist and others are wondering: “what did the Turkish general did to him?” …for he came changed, more modest and subdued for a while.
The shortcomings of the man who lead the Arab revolt become evident as he confesses to have liked killing a man and then shows a side that likes to boast, trumpet his glory and surround himself with loathsome individuals.

Notwithstanding these flaws, the protagonist is a real role model in many ways, proving himself to be brave, resilient, smart, a wonderful speaker, outstanding leader, heroic fighter, fabulous communicator.
His loyalty is questioned by his own side, after an initial fascination with his incredible victory in Aqaba.

When he arrives in Cairo, escorted by his young Arab companion, wearing the traditional clothes of the Harith, he shocks.
The guards would not even let him in and in any case they insist that the “native boy” cannot enter the officers ‘club.

But in the complicated game of “realpolitik” Lawrence and his Arab friends are used by the generals and politicians.
Many articles have been written on this chef d’oeuvre and it is revealing that there are critics who insist on the “failures”, the fact that the script exaggerates the stature and contribution of Lawrence of Arabia, when compared with Prince Faisal of Auda Abu Tayi, the latter having a more important role in the taking of Aqaba.
  
What remains is a cinema classic that stands with the best, alongside The Godfather, Casablanca, Citizen Kane…


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